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Jill Gregson reflects on on her three decades with the Ä¢¹½¶ÌÊÓƵ Symphony Chrous

Ä¢¹½¶ÌÊÓƵ Symphony Orchestra perform Rachmaninov's Vocalise

Lianne La Havas with the Ä¢¹½¶ÌÊÓƵ Symphony Orchestra

Discover New Music

Ä¢¹½¶ÌÊÓƵ Symphony Orchestra at the Barbican: Classical for Starters

Vilde Frang on Britten's Violin Concerto

Michael Zev Gordon introduces his new Violin Concerto with Carolin Widmann

Edward Gardner introduces our varied programme of Eastern European music

Diana Burrell introduces her Concerto for Brass and Orchestra

Robin Hood Swings In

Sakari Oramo in conversation with Clemency Burton-Hill

Conductor Laureate Jiří Bělohlávek conducts Mahler's Symphony No. 8

Vaughan Williams's The Lark Ascending

Brett Dean talks about his relationship with the Ä¢¹½¶ÌÊÓƵ Symphony Orchestra

Verdi Requiem with the Ä¢¹½¶ÌÊÓƵ Symphony Chorus

Antoine Tamestit and Veronika Eberle

Katerina Karneus talks about Mahler's Lieder eines fahrenden Gesellen

Conductor David Charles Abell salutes a rare treat, Bernstein's Songfest

Discover an innovative new cinematic interpretation of Mahler’s complete Des Knaben Wunderhorn

Conductor Sir Andrew Davis and cellist Paul Watkins introduce Finzi's Cello Concerto

Conductor Edward Gardner talks about Tchaikovsky's 1812 Overture

Brett Dean talks about how The Last Days of Socrates was conceived as a work for Chorus